Milonga codes and tango etiquette

The 1930’s Lost Chronicles Series

Chronicle No. 8

Drag the cursor to the right to reveal the postcard back side.

The Eleventh of August, 1937
(my ninth week in Buenos Aires)

My Dearest Milonguero Friend,

It is quite extraordinary that there shall never be any such thing as a rumpus on the dance floors of Buenos Aires, thanks to some sort of secret ‘highway code’ that no gentleman fails to adhere to :

Joining the Traffic – Chaps here make eye contact before pulling in front of a gentleman, so as to enter the line of dance safely.

Zigzagging– Antonio, my milonguero friend, is quite high principled about staying in one’s line of dance. Collisions cause quite a different sort of ‘creativity’– more akin to ‘tango rage’.

Reversing – Gentlemen who feel compelled to walk backward, should be well advised to first make sure the way is clear.

Overtaking – Better avoided, because no one likes ‘tango cowboys’. If I am being overtaken, Antonio suggested pausing to appreciate the connection with my dance partner. ‘In like Flynn!’, he added.

Braking Distance – I was advised to leave a yard between my dance partner and the couple ahead, in case they start putting their worst foot forward. Besides, a yard is just enough space for everyone to breathe and pivot – a joy to behold.

Lane Positioning – Here, experienced dancers stay on the outside lane, where they can be seen and make an impression. Smart!

I shall write again next week. Toodles!

Arthur

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Milonga codes and tango etiquette

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