A fascinating evolution

which reflects

that of Argentine society

Argentina during the 40’s and 50’s, or ‘the Golden Age’ was an exciting, thriving time for tango. This period gave birth to many different dance styles. Salón style was danced in posh clubs, where one was expected to get dressed up and dance a very slow and poised tango. Milonguero style tango was present in less formal and more crowded venues. Orillero was considered a lower class style of tango.

In many cases, the same individual danced different tango styles in different venues or to different music.

Tango has always shown a capacity to evolve and change. Nonetheless, we’ve tried to pin down some characteristics of key dance styles in the history of tango, as undefinable as it is. NB:  most ‘Spanishy’ dance terminology you have maybe not heard of before is explained at the bottom of this section. So curtain up, here it goes…

Tango

dance styles

Canyengue

Originating in the 1920’s and 30’s, canyengue is the oldest form of Argentine tango dance style and is characterised by a close embrace and slight “V” position. Dancers bend their knees when dancing, some use exaggerated body movements and all use short steps – to follow the ‘staccato’ rhythm popular at the time. The music from this era had a faster, peppier tempo lending the dance a rhythmic feel, similar to that of modern milonga.

Make sure you read about all the other Argentine dance styles and become a tango mogul in no time! :-)

Orillero

Originating in low-income neighbourhoods, this style was not accepted in dance salons during the Golden age of tango. Orillero tango style is playful, at times unruly, using uninhibited, expressive movements that can cause collisions with other dancers on the dance floor. Orillero is recognisable by men’s quick foot moves and even jumps. (Yes ladies, a sight not to be missed) Juan D’Arienzo and Rodolfo Biagio, two of the most famous orchestras from the Golden Age are ideal for this style of dance.

Make sure you read about all the other Argentine dance styles and become a tango mogul in no time! :-)

Milonguero

Milonguero dance style developed in response to Buenos Aires crowded dance floors and is a dance style which takes very little space. It is known for its closed embrace called ‘apilado’ in Spanish. The upper body of both partners is in constant contact from waist to chest so they share the same axis, each supporting the other’s balance. (not an awful thing to be in such close proximity with a passionate tango partner, we think). In milonguero style, partners lean into each other but it is never a lazy lean! This style works well with music of the more rhythmic type as characterized by famous orchestras such as D’Arienzo or Tanturi.

Tango salon

Tango salón is a smoother and more elegant style where close embrace is key. Both partners are centred slightly on the right side of one another, dancing slow, measured and smoothly executed moves. The embrace loosens during ochos, turns and giros, to give both partners more space and then closes again for support and poise. This style allows the lady more freedom to express herself. Tango salón includes all of the basic tango steps with an emphasis on precision, smoothness, and elegant dance lines. It is usually danced to the strongest beat played by famous orchestras such as Di Sarli, Calo, and Pugliese.

Make sure you read about all the other Argentine dance styles and become a tango mogul in no time! :-)

Tango fantasia (or scenario)

Fantasia is a choreographed version of Argentine tango for stage performances. It started in the 1950’s and became popular thanks to the contribution of the dancer Juan Carlos Copes. It is more theatrical than other styles, is performed in an open embrace and includes various elements taken from other dances, including ballet. This type of tango is not for the faint-hearted and requires a whole lot of space (flailing legs in 9cm heels – danger alert). So, DO try this at home and NOT at a milonga. Calling all dare devils!

Tango Nuevo

Tango Nuevo is the latest development for tango. In this tango dance style, dancers use an open and flexible embrace and maintain their own balance and positioning. Tango Nuevo is famous for its innovative shapes such as volcadas and the like. You will easily recognise tango nuevo dancers by the emphasis on movements and fluidity, rather than connection.

Despite the insistence by the founders of the tango nuevo movement that it is not a style in itself, it has become accepted term by many as a separate and distinct style of tango. The most famous practitioners of tango nuevo are Gustavo Naveira, Norberto “El Pulpo” Esbrés, Fabián Salas, Esteban Moreno, Claudia Codega, Mariano ‘Chicho’ Frumboli, and Pablo Verón.

‘Spanishy’

terms

    • Ocho: a figure where the woman steps and pivots in front of her partner, drawing an 8 (ocho means 8 in Spanish) on the floor with her feet.
    • Giro: a figure where the man spins on his axis while the woman steps around him.
    • Ocho cortado: an ocho which is interrupted halfway through so the woman only draws half an 8. The story goes that a milonguero invented the figure out of necessity. He started leading an ocho, realised he wouldn’t have enough space to finish it, and interrupted the move. Because it was born on a crowded dance floor, it is one of the most typical steps of tango milonguero. It truly is a godsend for any dancer stuck in a sticky spot in a milonga
    • Volcada: a step where the woman is completely out of her axis and fully leaning on her partner (he’d better be stable!). This allows her free leg to wrap nicely around her supporting leg.

Want more? Check our tango terminology page for a full rundown of terms used in tango. Impress your boss or partner by casually dropping a few in a discussion…

Sources: Check our credit page